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Timothy Binkley
Timothy Binkley (born Timothy Glenn Binkley on September 14, 1943 in Baltimore, MD), is an American philosopher, artist, and teacher, known for his radical〔Monroe Beardsley, ''Aesthetics: Problems in the Philosophy of Criticism'', 2nd edition, 1981. ("Conceptual Art", ''Stanford Encyclopedia of Philosophy''. )〕 writings about conceptual art and aesthetics, as well as several essays that help define computer art.〔("Conceptual Art" ), ''Stanford Encyclopedia of Philosophy'', (2007)〕〔(Review of Kathleen Higgins, ed., "Aesthetics in Perspective", (Harcourt Brace, 1996) ), Reviewed by Albert Hayward.〕〔Livingston, Paisley. ''The Routledge Companion to Philosophy and Film''. 2009: Taylor & Francis US, ISBN 978-0-415-77166-5, pp. 77.〕 He is also known for his interactive art installations.〔''PIX 1'', November 1993, Published by Ilona Halberstadt, supported by The Arts Council of Great Britain, ISBN 9780952537021〕〔(Fox, Marilyn J. "Technology as a Means to an End". )〕
==Biography==
Timothy Binkley studied mathematics at University of Colorado at Boulder, earning a B.A. (1965) and an M.A. (1966). His Ph.D. in philosophy, from University of Texas at Austin (1970), explored Ludwig Wittgenstein’s use of language.
Binkley has lectured and taught at several colleges and universities in the United States, most notably at School of Visual Arts where he initiated the MFA Computer Art program, the first of its kind in the country.〔("Salon's Digital Art Ends Up Flat." ) Mirapaul, Matthew. ''The New York Times'', "Technology | Cybertimes", November 13, 1997.〕 In 1992, he founded the New York Digital Salon,〔("The Stone Age of the Digital Arts" ), Malina, Roger. ''Leonardo.'' New York Digital Salon, 10th Anniversary Catalogue.〕〔("Meta-Forms" ), Toni Dove, Dolores Zorreguita, et al., ''Franklin Furnace'', April 2002: Colgate University, Hamilton, NY.〕 an international exhibition of computer art.
He has exhibited his interactive art in the United States, Europe, South America, and Asia.
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